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For those who find painting quite
challenging, painting should be thought of as a process of elimination. Learning what not to do often
teaches us more than anything. Therefore, making mistakes are unavoidable, and should simply be accepted
as part of this cognitive process.
So it could be said, a good painter is most
successful when they are actually teetering on the edge of failure. Only when one
is pushing the limits by diving into some "uncomfortable territory", are we actually painting at our full potential. I
believe a painter will never achieve greatness playing it safe."
Jeffry Krafft
JEFFRY’S TEACHING PHILOSOPHY
Jeffry’s teaching philosophy is based upon first teaching
strong technical skills and possessing a strong understanding of representational art. When teaching, he prefers to
inform the student more on technique, rather than on artistic style or any type of expressive philosophy. By first
mastering painting technique, and having proficiency in painting our actual physical world, this then gives
the painter the "tools" (or actual ability) to express themselves in nearly any way imaginable - without limitations.
I can't imagine Mozart trying to write and play all the music he heard in his mind, if he only had the ability to play
three or four chords - on only one instrument!
Jeffry also feels the "expressive" nature of an artist’s
work really should come from within the individual anyway. He believes when an instructor tries to influence the
creative element in painting too greatly, the student spends more energy trying to please the instructor's ideologies,
rather than their own.
Present Experience & Credentials
Teaching Experience:
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Northwestern University, Evanston, Il.
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River East art Center, Chicago,Il.
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Old Town Art Center, Chicago, Il.
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Northern Indiana Arts Assoc., Munster, In.
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South Shore Arts, Munster , In.
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Merrillville Adult Ed., Merrillville , In.
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Hobart arts league, Hobart, In.
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Chesterton Art Gallery, Chesterton, In.
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Hobby Lobby, Merrillville, In.
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Hobby Lobby, Bloomington , In.
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Michael’s Crafts, Bloomington, In.
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Waldron Art Center, Bloomington, In.
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Private lessons - Indiana & Illinois
Past & present memberships:
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The Steeple Gallery, Saint John, In.
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Apache Cove Gallery, Merrillville, In.
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California Art Gallery, Merrillville, In.
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Brown County Art Gallery, Nashville, In.
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Oak Tree Gallery, Schererville, In.
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Affordable Art, Nashville, In.
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The Framing Guild, Bloomington, In.
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Lake Artist Gallery, Hobart, In.
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R&R Studios, Merrillville, In.
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Artists Den Gallery, Valporaiso, In.
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Illiana Artists Incorporated, Munster, In.
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Home Essentials, Travers City, Mi.
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Chesterton Art League, Chesterton, In
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Iris Garden Gallery, Nashville, In.
Published Artworks thru:
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Cups of Chicago – Chicago, IL.
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Art World Chicago – Chicago, IL.
Education:
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Associates Degree, Purdue University - Architectural
technology
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Bachelors Degree, Purdue University - Construction
technology
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Masters Degree, Indiana University - Art
education
Press Releases:
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The Star, Lake County, In. - May 2008
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Chesterton Tribune, Porter County, In. - June 2008
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Post Tribune, Lake County, In. – June
1999, February 2005
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The Times, Lake County, In. – December
2002, February 2005
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Television interview WYIN Channel 56 - Chicagoland
– September, 2003
Recent Honors:
Jeffry Jon Krafft
Artistic Statement
Although it’s not clearly evident looking at my artwork,
depending on whom you talk to, those who have met me could describe me as conservative, or liberal, or a nonconformist, or
even an idealist? I would hope they mention all of the above since I believe people should not limit themselves to single ideology,
or catagory of people. I like to think people are not so "narrow" in their thinking.
Like many artists, however, I can carry the burden of possessing
some rather unorthodox convictions concerning political or philosophical issues. I sometimes produce music addressing
such things, but I don’t necessarily attempt to "change the world" socially or politically through my visual art. I
believe there are better avenues suited for that, if that were one’s main motivation in being a painter. I do,
however, try to "reach" the individual viewer on some type of personal level, or possibly establish some sort of common ground
mentally, or emotionally.
I have always loved the great "genre" painters of the past,
so what I consider my best work might be described as genre painting. I usually try to portray these "common"
scenes in an alternative way compositionally. Or, I may try and evoke a personal past experience in the viewer.
Other times, I may encourage them to imagine a time or place that they may never have had the privilege to experience
themselves, or one that only exists in our "minds eye". I feel, if an artist is actually successful in any such thing,
that’s quite an accomplishment in itself.
I also realized long ago, that people tend to appreciate
things they often take for granted, when those very same things are portrayed in a painting or sculpture. It’s
a simple, yet interesting, phenomenon. So, I often use the arts as a means to remind people of the beauty and the endless
visual stimulations the world they live in has to offer. I do occasionally work in abstract ways, but have always been
most attracted to art that represents our world as we do, or could, normally see it. I hold a great appreciation for
our world’s sights and sounds as they currently exist; so I rarely feel the desire to alter those visualizations too
abstractly.
Concerning my choice of subject matter, I do enjoy keeping
it constantly changing and evolving. Although I still, and always will, possess a great appreciation for the simple
majesty of nature, the creatures that live within it, and the beauty found in the human figure. My favorite paintings
will usually contain one, or possibly both, of these elements within them.
Finally, I also believe professional artists inherit a certain
amount of accountability to their buyers by continuing to grow and evolve creatively. Otherwise, their art often becomes
stagnant, less unique, and less meaningful to the patron. I myself, hope to not only continue developing my technical
skills, but more importantly, continue to pursue the countless avenues artists can take in order to communicate.
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